Birthdate: 7-Jun-1940
Birth Name / Real Name / Full Name: Thomas Jones Woodward
Birthplace: Pontypridd, Wales
Gender: Male
Occupation: Singer
Nationality: England
Height: 5' 10" (1.78 m)
Parents, Family:
Father:
Sister: Sheila Woodward
Wife: Linda Tenchard (m. 1957, one son)
Son: Mark (his manager)
Best known as: Tiger, The Voice, Sex Bomb
Genre: Vocal-Pop, Vocal, Oldies, Rock/Pop, Vocal/Easy Listening, Teen Idols, Easy Pop
Tom Jones Biography:
Thomas Jones Woodward was born on 7 June 1940, Tom began singing at an early age. It wasn't unusual in the Valleys towns of South Wales. But the boy was clearly something special: he'd regularly sing at family gatherings, weddings and his mother's Women's Guild meetings.
He also sang in his school choir, although it's said he was once told off for drowning out the rest of them as they sang Men Of Harlech in school assembly.
By the late 1950s Tom had become entranced by the new rock 'n' roll sounds coming from the radio. In his teens he was becoming something of a tearaway, missing school, drinking and chasing girls.
Tom began courting Melinda Trenchard, a local Catholic girl known as Linda. Soon after, however, he was struck down by tuberculosis and bed-ridden for almost a year. It was a critical time for him, but he could do little else but listen to music and draw.
At 16 Tom left school. He married Linda the following year, one month before their son Mark was born. At the time, Tom was working nights in a paper mill, a situation which paid fairly well but was getting in the way of his singing. Something had to give. He gave up working at the mill.
In 1963 he became the frontman for Tommy Scott and the Senators, a local beat group whose former singer Tommy Redman preferred singing ballads. Scott later became a welder in Treforest.
The band's leader Vernon Hopkins lured Tom away from his usual drinking spot after Redman failed to show up one night, and with the help of a crate of beer persuaded him to perform with the Senators at the local YMCA.
It was supposed to be a one-off, but Tom was bitten by the bug. After brief dalliances with playing guitar and drums, he had found his real musical strength: his voice.
It wasn't unusual for him to down 10 or 12 pints of bitter before hitting the stage, but the band weren't too bothered - they were always guaranteed a storming show regardless.
A support slot in Porthcawl, on the bill with Billy J Kramer and the Dakotas, found Tom blowing the headliners off the stage. Indeed, Kramer had to let the Senators have a second set just to keep the crowd happy.
Part of the problem for Tom, though, was his location. The Senators were still all unheard of in London, the base of the music industry.
Two local songwriters, however, offered to help Tom. Raymond Godfrey and John Glastonbury had contacts with London-based music publishers, and had been told to find a group to make a demo with their songs. By chance they saw the Senators playing in Caerphilly, and were immediately blown away.
Godfrey and Glastonbury became the band's managers, and helped them record a demo tape. That year, in 1964, they laid down a few tracks with maverick Telstar producer Joe Meek, and took them to various labels in an attempt to get a record deal. The plan was to release a single, Lonely Joe/I Was A Fool, but the ever-flighty Meek refused to release the tapes.
The frustrated group returned to South Wales and continued to play gigs at dance halls and working mens clubs. One night, at the Top Hat in Cwmtillery, Tom was spotted by Gordon Mills, a London-based manager originally from South Wales.
Gordon later said, "The first few bars were all I needed to hear; they convinced me that here was a voice that could make him the greatest singer in the world".
Gordon Mills struck a deal with Godfrey and Glastonbury, and they gave up managerial responsibility in exchange for five per cent of Tom's future earnings. It would later be the cause of a bitter legal struggle. Mills became Tom's manager, and took the young singer to London.
He also renamed him Tom Jones (there was another Tommy Scott singing in London). The Senators became the Playboys, and later still the Squires. It was the beginning of the second phase in Tom's career.
Fortunately, Decca rekindled their early interest, and Jones recorded his first single, Chills And Fever, for them in late 1964.
The single didn't chart, but the follow-up, It's Not Unusual, was an instant smash hit. Its orchestrated arrangement coupled with Jones energetic delivery proved infectious, and the song reached number one in the UK and the top ten in America. And so a star was born.
A string of hits followed, including Once Upon A Time, With These Hands and Burt Bacharach's classic What's New Pussycat.
In 1965 Tom sang the theme tune to the James Bond film Thunderball, which starred Sean Connery. He also met Elvis that year, starting a friendship that would endure until Presley's death in 1977.
In 1966, Tom released his most successful single ever: Green, Green Grass Of Home was to become Tom's second chart topper. He first heard the song on a Jerry Lee Lewis album, Country Songs For City Folks, but the song was interpreted by many to refer to Jones' native Wales.
The following year, 1967, Tom performed for the first time in Las Vegas, at The Flamingo. In future years he would return time and time again. Indeed, Tom's time in Las Vegas saw him elevated to superstar status in America, a position he enjoys to this day.
One of Tom's best-loved singles was released in 1968. Delilah was a dark tale of murder and infidelity, but people were entranced by the melody and Jones' unforgettable delivery. It became a big hit.
From then he went on to Caesar's Palace, where Tom's shows were traditionally a knicker-hurling frenzy of raw sexual tension and good-time entertainment.
The Tom Jones Show, broadcast from February 1969, was a huge television success, for which he was paid $9 million per series by Lew Grade. Before the show's end in 1971, Tom appeared with stars including Johnny Cash, The Bee Gees, Janis Joplin and The Moody Blues.
However, just as things were all going smoothly, a couple of spanners hit the works. First of all, Tom's former managers Godfrey and Glastonbury took him to court to recoup money they said was entitled to them. Then, The Senators finally disbanded, mainly due to Tom's TV and Las Vegas appearances - where they weren't needed.
Resentful of the high taxes he was forced to pay in Britain, Tom spent much of the 1970s in America as a tax-avoidance scheme. He, along with Gordon Mills and Englebert Humperdinck, set up a record label, MAM.
Then, in 1974, Tom finally moved to America, buying the mansion formerly belonging to Dean Martin. Based in Los Angeles' Bel Air, it cost the singer $1 million.
With furniture shipped over from Britain, and a Green Card granting American citizenship, many thought Tom had turned his back on the green, green grass of home. "I love Britain and I love living there," he said. "It's home. But I've been forced into exile and I don't like it one little bit."
The 1970s saw Tom's popularity levelling off somewhat. Indeed, he was seen by many as an old warhorse, a man out of time. But the hits kept on coming: Daughter Of Darkness, She's A Lady, Till and The New Mexican Puppeteer were all hits in the UK, although he did release a number of misses as well.
Then, in 1977 two significant things happened. Firstly, Tom's good friend and mentor Elvis Presley died. And in April Tom released his single Say You'll Stay Until Tomorrow. Not the most remarkable release, but it was the last time Tom would trouble the singles chart for the next 10 years.
Tom's son Mark became his father's manager. Mark revamped his image, ditching the medallions and big hair in favour of a new, modern look. He worked on a new sound for Tom, and in April 1987 the singer re-entered the singles chart again.
A Boy From Nowhere was a big-time ballad, hardly far removed from what had gone before, but most importantly it got Tom back in the public eye.
Just a few months later, Tom appeared on Jonathan Ross' show The Last Resort. He performed a version of Prince's Kiss, and it went down an absolute storm. Tom recorded it with The Art Of Noise, and it was another hit. Tom was back.
Mark brought Tom to a whole new generation of fans. After a brief collaboration with Van Morrison, Tom hosted a new TV show, The Right Time.
In 1993 he signed to Interscope (home to Snoop Dogg, Dr Dre and, latterly, Eminem), and released the album The Lead And How To Swing It. On it, he collaborated with people including Teddy Riley, Flood and Youth.
In 1995 Tom headlined Glastonbury, to a rapturous reception. In 1998 he performed a medley of songs from the film The Full Monty with Robbie Williams at the Brit Awards. Also that year, Space and Cerys Matthews released The Ballad Of Tom Jones.
His hugely successful 1999 album Reload, a collection of duets with some of the year's brightest stars, brought him back into the limelight where he's always been most comfortable.
It was an evening of historical reflection that was set at the foot of the Lincoln Memorial. A major tour followed in Europe, Australia, US, Scandinavia and the UK, with the final leg including five Wembley Arena dates and seven shows at the Cardiff International Arena. It was the largest and most successful tour of his career.
He also recorded Perfect World for the soundtrack of Disney's feature animation film The Emperor's New Groove. Written by Sting and Dave Hartley, the song is showcased at the beginning of the film as the main character is introduced.
Throughout 2000, Tom garnered several honours for his work, including a Brit Award for Best Male. He was also profiled in a South Bank Show by Melvyn Bragg.
2001 saw tours in such diverse places as the Middle East, western Europe, the USA, UK and eastern Europe. A highlight was a performance with Pavarotti at his festival in Modena, Italy, benefiting Afghan children in Pakistan. In London, Tom was honoured with the prestigious Silver Clef Award for Lifetime Achievement by the UK music industry charity Nordoff Robbins, which works with autistic children using music therapy.
2002 saw the release of Mr Jones, a collaboration with former Fugees member Wyclef Jean and Jerry Wonder Duplessis. The album was recorded in New York and was an attempt at modernising Tom's music.
The four CD set The Definitive: 1964-2002, released in 2003, collected some of the best moments from the first four decades of Jones' career, and includes songs from the best selling hits of It's Not Unusual and Kiss to rare covers such as Sittin' On The Dock of the Bay and Ain't No Sunshine When She's Gone. The same year he also released another Greatest Hits album, undertook a massive tour of Europe and was presented with a Brit Award for Outstanding Contribution to Music.
2004 saw the release of a collaboration with Jools Holland. The album Tom Jones & Jools Holland featured songs including Howlin' Wolf's 200lbs Of Heavenly Joy, My Babe, Who Will The Next Fool Be and the classic Hanging Up My Heart For You.
Tom enjoys a consistent international touring schedule throughout the year. He lives with his wife of 48 years, Melinda, in their home in Los Angeles. His sister lives close by. His son Mark, and daughter-in-law Donna, have managed his career since 1987. His grandson Alexander was born in 1983 and granddaughter Emma in 1987. Both were born in Los Angeles and are now being educated in England.
In 1967, Frank Sinatra told Tom Jones that the Welshman's voice would go if he didn't change the way he sang. Tom reportedly laughed and said: 'But what other way is there? I'll be around until the green, green grass is turned into a car park'.
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